波音游戏-波音娱乐城赌球打不开

Research

Face Masks and Cultural Identity on YouTube

Face masks have become a necessity since the start of the COVID-19 pandemic. While they are proven to be an effective means to limit the spread of the virus, the question of whether to mask or not to mask had been, and perhaps still is, interpreted by some individuals as evidence of “cultural” differences, or taken as an opportunity to position oneself, or certain cultures, as more “prepared” than others.

The study of face masks has mostly focused on science: their effectiveness in stopping the spread of the virus and how they protect the wearer from being infected. Moreover, there have also been studies on face mask wearing from a social semiotics perspective, which investigates the kinds of meanings and values people ascribe to face masks, as well as the wearer of face masks. From this perspective, face masks are more than objects which enable the formation of a physical barrier between the wearer and the virus – they are also objects to index one’s positioning, allowing one to show alignment with, or distance from a particular position, ideology or belief.

One place where the expression of such acts of positioning by individuals can be found is in YouTube videos. Dr Jenifer HO from CityU’s Department of English carried out an online observation of the YouTube videos posted between March and April 2020 and focused her analysis on one video which made (cultural) positioning of face masks visible by conducting a multimodal analysis of selected scenes of the video.

The study found that not only is (cultural) positioning conveyed by language but it is also performed multimodally (using a combination of writing, images, sound and many other semiotic resources that people use to make meaning). For instance, in the video under analysis, the position of alignment with face mask wearing practice is shown linguistically and semiotically by means of an orchestration of spoken language, on-screen writing and sound effects.

The study has implications regarding how knowledge is constructed and disseminated with the help of digital media. The affordances and the global reach of digital media enable new ways in which healthy communication can be conducted by leveraging this kind of creative and vernacular digital literacy practices.


Publication and achievements

Ho, W. Y. J. (2021). Face masks and cultural identity on YouTube. In R.H. Jones (Ed.), Viral Discourse. Cambridge University Press (Cambridge Elements in Applied Linguistics series).

百家乐官网游戏看路| 百家乐官网里面的奥妙| 利记国际娱乐| 百家乐破解版下载| 博狗百家乐官网真实| 联众百家乐的玩法技巧和规则 | 藁城市| 巴黎人百家乐的玩法技巧和规则| 百家乐官网单机游戏免费下| 同乐城娱乐城| 百家乐专用| 百家乐游戏论坛| 百家乐官网游戏下裁| 磨丁黄金城赌场| 大发888娱乐城官网下载真钱| 百家乐庄闲和游戏机| 芝加哥百家乐官网的玩法技巧和规则 | 金花百家乐官网的玩法技巧和规则| 威尼斯人娱乐城活动| 澳门百家乐论谈| 百家乐官网网站平台| 来博| 大发888网页在线游戏| 百家乐大天堂| 网上百家乐娱乐场| 致胜百家乐官网的玩法技巧和规则| 新乐园百家乐娱乐城| 属鼠和属虎的人能在一起做生意吗| 澳门百家乐官网玩法与游戏规则| 南郑县| 钱柜娱乐城现金网| 大发888娱乐场官方下载| 闲和庄百家乐的玩法技巧和规则 | 百博百家乐的玩法技巧和规则| 任我赢百家乐官网软件| 百家乐官网赌场优势| 土默特右旗| 娱乐城开户送彩金| 大发888娱乐场 888| 大发888体育和娱乐| 威尼斯人娱乐城地址lm0|